Heirloom Archaeology: The Yard Edition Pt. 2, St. Francis

When I grew up, I assumed everyone had a St. Francis in their yard. We had one. Others in my family had one. When I asked who he was and why he was there, I was told that he protected and encouraged happy wildlife, that he would bring bounty to our little garden. He brought good luck to the yard and the squirrels and the morning doves.

Garden statues of holy figures are a tradition especially loved by Catholics. The concept and general idea behind them will be familiar to those studying ancient shrines for nymphs and other locally sacred beings.

In our family, St. Francis is the dominant garden statue and his presence can be traced to one particular image. It's the most 'sacred' in the family because its the oldest and it reaches back to the elder generation's childhood. It's been through hurricanes and moves, has been broken and reassembled, but somehow its still standing. It's the talismanic Athena Polias of the clan.

The statue of St. Francis has lived in the garden of the ancestral home's courtyard. The courtyard itself has gone through numerous changes over the years. Back in the day ('50s) there was even a palm tree in the middle.

This is where the grown ups sipped their cocktails: Myrtle Rask (my grandmother) and Anna Mae Sirl (great-grandmother).

But St. Francis was there, his toes in a bird bath, surveying his domain. He spent the years encouraging all the tropical plants to go wild, watching over the tiny lizards zipping across the patio, and providing a perch for song birds come to raid the bird feeder.

Analysis of the photographic evidence shows that nowadays St. Francis is in almost the exact same location, with some of the exact same plants still thriving under his protection.

St. Francis in 1958.

Best of all, he's still protecting the little animals :)

Heirloom Archaeology: The Yard Edition

In keeping with my continuing study of my aunt and uncle's Florida house, I've decided to start documenting some of the artifacts residing here. Indeed, here at the ancestral homestead one is surrounded by artifacts and heirlooms of a wide variety. Almost 60 years of habitation by the same family have resulted in an interesting conglomeration of objects. For (me) an archaeologist and lover of stories, it’s an ideal and happy situation, especially since its my family. Many of these artifacts would not be considered ‘heirlooms’ in the usual sense of the word. The term more often refers to  proudly displayed items that are ‘worth’ something, if not because of cost, than because of an aura endowed by story or legend. But I'll be calling my little project heirloom archaeology regardless.

In archaeological terms, 'heirloom' can be used to imply simply those objects “maintaining and reifying ties with the past” (D. H. Thomas 1976, 128). Commonly, archaeologists discuss heirlooms in terms of ancient chieftons and prestige. For example, in 1999 Lillios posited that “in chiefdoms, heirlooms serve to objectify memories and histories, acting as mnemonics to remind the living of their link to a distant, ancestral past. And because not all the living have equal access to that ancestral past, as heirlooms are typically valued objects that are not available or equally accessible to all members of a community, the possession, display, and transmission of heirlooms also differentiate the living and help to reify inherited social differences” (Lillios 1999, 236). That is, heirlooms are interesting because of their significance in society. In their Archaeologies of Memory, Alcock and Van Dyke likewise stress social memory.

These aren’t the heirlooms I’m interested in. Rather, I’m interested in 'memorable' objects  in a familial and domestic setting that are significant to the immediate inhabitants due to their life history and their link to the past, only. Not because of the social significance that they acquire outside of the domestic sphere. For the purposes of this blog, heirloom archaeology is a mash-up of familial archaeology and domestic archaeology on the micro scale.

 

Let’s start with this strange object that serves as part of the garden sculpture here. To me, it’s a mystery. Mechanical people might recognize it, however, as an engine head. Not just any engine head, but the engine head of the 1973 Volkswagon Bus that carried the Kelly family (my aunt, uncle, and 3 cousins) all over the country on camping trips, from Florida to Yellowstone. At some point, the engine broke, was fixed, broke again, and limped its way through the 70s and into the 80s. That is, it carried the family until 1981, when it finally gave up the ghost. That’s when it got turned into a piece of garden sculpture, rewarded for its loyalty in a spot of honor by the porch (instead of being thrown out like the engine from the 1965 Pontiac).

 

 

Another example is this object holding up the boat. Tools tend to be objects passed down from parents to children, with the result that many people have old-timey gear sitting around their garage or house, looking vintage and hip but usually serving no other purpose. This piece, however, is actually still at work. We can trace it to the Depression and  the 1930s, when Charlie Lloyd Kelly lived in Center, Mississippi with his Irish family (early settlers of Miss., arriving in the 1830s). C.J. used this mechanical jack until he died and it was passed down to his son, my Uncle Jim (Kelly). Today you can observe the depression-era jack still in use, slightly jerry-rigged, here in southern Florida.

These are a special kind of heirloom, then. Of little monetary value, these two artifacts make up the domestic material culture of the household. Ask the family about them, and you'll start a flood of talking, story-telling, reminiscing, and oral history. They're ugly and unremarkable and don't draw the eye. Yet, they're certainly significant links to the past that are part of the present life of the family home.
 

Location, location, location

Thank you, Grandpa Rask, for moving to Florida 60 years ago, and for establishing an ancestral home for me to enjoy.

Even chores are fun!

Now I know what I want for graduation.

The morning commute to the breakfast spot is sublime.

And the local wildlife is friendly! Like this dude, about three feet from our canoe, giving me the evil eye.

Evil meltemi madness

I’m down on the Florida coast now, staying with family. The weather is beautiful, the dissertation is happening, and relaxation is simultaneously in full effect.

Blog writing spot.

Yes, unbelievers, that IS the sunrise. Which I have gotten up to see three times this week.

Unfortunately, my lovely peace of mind is beginning to fray as I’ve become increasingly more twitchy. And let me tell you why.

It’s the damn wind. When I first got here, the trees were still and the water was flat. Then a steady wind picked up on Monday and it hasn’t stopped since. Granted, it’s only about 15-20 miles per hour from the east, which is really no big whoop. The problem is that it’s incessant, all day and all night, with no lull. Wind in palm fronds may be one of my all time favorite sounds, but even that is starting to grate on my ears.

It’s like the meltemi, that summer wind in the Mediterranean that comes barreling through and drives the sea into a froth too dangerous to sail. Ferries stay docked and tourists complain; people sit idle and impatient; but mostly the wind just continues and doesn’t cease. I keep reading on the internet that people love the meltemi because it cools things down, but that’s not what I remember hearing in the Greek islands. Instead, there was a mixed and strained relationship with the wind - it could be soothing on occasion, but it was also infernal because it just NEVER ENDED. The constant sound of it, the constant feel of it, the constant frustration of having to right things that had been knocked over, the race to catch items before they blew away, the need to always raise your voice. I particularly remember the relentless snapping and tangling of my hair, sticking in my eyes and the corner of my mouth and twisting in my face. Eventually you just had to give up and sit in silence with your eyes shut tight, letting the wind coil around you and do its worst.

Googled painting of the meltemi by Caroline Huff.

It’s just those sorts of moments when the rumors of meltemi madness make complete sense. I don’t know if those rumors are true, of course, but I often heard about how the meltemi could make people completely lose it. People would just …snap. It may sound ridiculous, but there’s something intensely disturbing and uncanny about that hot endless wind, and the frustration it causes can just build and build until you’re ready to have a nervous breakdown. It actually feels like bad luck slithering across your skin. Even familial violence and murder were ascribed to that evil wind and I tell you, the sinister madness caused by the meltemi seemed completely understandable.

Anyways, I’m feeling a bit meltemi crazy at the moment, like I need to go run 10 miles or chop down a tree or something. I just want it to STOP, to be silent, to be still.

This is the moment when I’ll do the smart and sane thing. I’ll close the windows and go inside. And put in ear plugs.