Showing posts with label Pierre MacKay. Show all posts
Showing posts with label Pierre MacKay. Show all posts

Friday, September 24, 2010

Interview with Ron Stroud Part 1.2

A while back I posted the first part of my on-going interview with Ron Stroud, in honor of the Regular Year Members of 1959-60. Unfortunately, I left out part of it! So here is the last fascinating tidbit associated with the first part of our interview. It's short but definitely sweet. I asked Ron how he traveled to Greece and what it was like - plane, train, what? He answered:

"I traveled from New York to Athens in August 1959 on the Greek liner, Queen Frederiki.

The Queen Frederica in 1967. For an idea of what the experience would have been like, check out this awesome video.

Pierre MacKay and the other Fulbrighters came on the other Greek liner, the Olympia. Also on the Frederiki were fellow-students Bill Wyatt, and his wife Sandra, Jim Wiseman (his wife Lucy came later), Patrick Henry and possibly one or two others. Fellow passengers were the new Director of Athens College, Dr. Rice and his wife, and the Greek poet, Athanasios Maskelaris, from whom I had Modern Greek lessons on board. The trip took 14 days and we all got the false impression that the long journey was almost over as soon as we cleared Gibraltar, but then we stopped in Barcelona, Palermo (where WW II bombing was still very evident), Naples, and Messina and it seemed to take forever to get to Peiraieus.

I was in a cabin in the very bottom of the ship with five old Greek men who had recently retired and were returning to their villages to live off the proceeds of their US Social Security. I was the only non-Greek at our table for eight, which was provided for lunch and dinner with a large flagon of very bitter retsina. The menu for lunch and dinner was printed in Greek and English and I still have one as a souvenir.

Queen Frederica menu from the 1960s.

We had a Greek orchestra, Greek dances, and Greek movies every evening; I remember Melina Mercouri in "Stella." I relieved the boredom of the journey by a shipboard romance with a young American woman who was sailing to join her parents in Athens, where her father worked for the CIA, and she was going to join the US Economic Mission. The Truman plan was still very active in Greece and the US Mission had taken over the huge city block occupied by the Tameion Building, just off Syntagma, and containing the swish watering hole Zonars, where many Americans hung out. The US Embassy was at Vasilissis Sophias and Herodes Atticus, catty-corner from the Benaki Museum and across the street from the headquarters of the Evzones.

Greece was not in sight on the eve of our arrival but I was too excited to sleep and around 3.00 a.m. went down the hall outside our cabin to where a member of the crew was standing smoking next to a large open door. The sea was rushing by and on the horizon barely visible was the outline of a mountain. "Ellada[Greece]" he said laconically. It was Cape Malea and he seemed as excited to be here as I was.

We were met at the dock in Peiraieus by Colin Edmonson, the Secretary of the School. The Secretary normally met arriving members of the School in those days. We had little baggage, because you had to go down to Customs to clear your belongings the next day, so Colin bundled us all into the School Land Rover, a venerable gray vehicle, with a large spare tire on the hood, that had been donated by Dr. George Miles of the American Numismatic Society, father of Mimsy Miles and future father-in-law of the future Director, James McCredie. It so happened that McCredie himself was there with Edmonson because they had been out on a topographic excursion with Arthur Steinberg. The reason I mention these three is that as we drove into Athens and the Acropolis loomed into sight, we all in the back seats were stretching our necks and uttering excited exclamations, while Edmonson, McCredie, and Steinberg merely drove by without looking. Hardened veterans."


The Parthenon in 1959. This amazing picture from here.

Sunday, May 23, 2010

Interview with Ron Stroud: Part I

As this is the academic year 2009-2010, it is the 50th anniversary of the ASCSA's Class of 1959 Regular Year Students. In honor of our scholarly forefathers who came to Greece then, I decided to do a series of interviews commemorating that year. The first interview I did was with Pierre MacKay, who accompanied us students on several of the school trips we took during my own Regular Year in the autumn of 2009. You can check out the results of his interview here: Part 1, Part 2, Part 3.

My second interview has been a bit longer in coming, no doubt given my change in method. Pierre I was able to interview in person and record on my iPod. (Although the archaeologist in me hopes this recording is preserved forever, the first-time interviewer in me cringes at the idea that someone else might hear how moronic I sound on that tape. Does my laugh really sound like that? Oh god.) My second interview, in contrast, has been over email, so it has taken a bit longer to compile and is far from finished. But, I figured I'd go ahead and get the first portion posted since it's been a while since I talked about ASCSA history on this blog. So let's get to it.

My second interview subject is none other than Ron Stroud. Like Pierre, he came to Greece as a student of Kendrick Pritchett from UC Berkeley. Some of you may know him as one of the forces behind the monumental SEG (Supplementum Epigraphicum Graecum), one of the excavators of the Sanctuary of Demeter and Kore at Corinth, and a fan of ancient curse tablets. To others, he is an ASCSA legend both as a scholar and as an American School member famous for his general awesomeness and hard-core-osity. I met Ron in the fall of last year, and to me and the other Regular Members, he was more simply a Master of Storytelling, always willing over dinner to share tales full of high drama, adventure, wit and humor. Hopefully I can in turn share some of his gems with you over the course of the interview. As with Pierre, most of my initial questions pertain specifically to the experience of being a Regular Member in 1959. Here we go.

Ron Stroud tells stories about excavating at Corinth, in front of the Wall of Fame in Hill House's library.

What made you decide to do the Regular Year Program? Had you ever been to Greece before? The short answer to this, as to almost everything else about my career as a classicist, is a teacher. This time it was Kendrick Pritchett in Berkeley who was very active in the affairs of the School. I had completed two years of graduate work at Berkeley and did not yet have a dissertation project though I was leaning toward something in Greek history, epigraphy, or archaeology. He counseled me that if this is what I wanted to do, it was imperative to go to Athens as a Regular Member, participate fully in all aspects of the program, and stay in Greece for as long as I could. Like most of my fellow-graduate students at the time (1959), I had never been to Greece or any other part of Europe. At his urging, I took the School fellowship exams in February of 1959, was lucky enough to win the Seymour Fellowship, and doubly lucky because I also won a fellowship from the Canada Council and, unusually, both institutions allowed me to hold both fellowships, which meant at the outset that if I saved my lepta [pennies], I could probably afford to stay two years.

What impression did you get from Athens and particularly Kolonaki when you arrived? What was it like? How has the area changed since 1959? Anyone walking through Kolonaki today would never guess what it was like in 1959. The square itself could be a bit dusty at times, for it was dirt in the center, unpaved and surrounded by trees, sometimes in hot summer afternoons sounding with the same cooing doves that one still hears in the ASCSA gardens. After strong winter rains, it could also be a bit muddy. Remember also that in 1959 the mad craze to tear down the lovely old Neo-Classical houses that graced most parts of Athens had not yet set in. The square was still mostly surrounded by these. So there were no glass-fronted shoe stores, or upscale bars, or Goody's. The kiosks also looked a bit more Ottoman than their modern overstuffed counterparts. Kolonaki's most conspicuous feature in my memory was the "Byzantion", a large kaffeneion [cafe-bar for men], open-fronted in the summer with lots of wooden cane-chairs spread all over the sidewalk on the west side of the square. Many very picturesque old, bearded gentlemen could be seen there all day (except for siesta) and all evening slamming down playing cards on the tables, shouting politics at each other, and smoking out of water-cooled hookas, for which they brought their own mouthpieces, much like professional snooker players who bring their own cues to a billiard parlor. This was unequivocally a male preserve, in fact very few women even dared to walk along the sidewalk on the west side of the plateia. This added to the mystery and wonder of an apparition I viewed there once coming home late across the square. It was after 2.00 a.m. on a hot summer night. The lights in the Byzantion were still on and there were still a few denizens inside. Outside, however, occupying the traditional five chairs (one for her bottom and two for the arms and one each for her long, slim, tanned legs), wearing a long, sleeveless white dress, was Melina Mercouri, having a nightcap and a smoke, alone. I couldn't believe it. I just stood there and gawked like a Groupie. There was "Stella." This was long before her days in "Never on Sundays" or local and international politics, the Elgin Marbles, etc. She used to live just around the corner from the School.

There were very few cars in Kolonaki in 1959, which made even more conspicuous the arrival of the old Marasleion bus that rattled through the square several times a day. There were also a number of horse-drawn carts of junk-dealers, vegetable merchants, and always, every day, a man on foot selling brooms and shouting, "Skoupie," in a voice that could have been heard as far away as the Plaka. Many of the other itinerant merchants shouted out the names of their wares and led heavily laden donkeys. Also, every few days a man would come through with a dancing bear, an accordion, and a monkey carrying an open hat for donations.

I saw a lot of this in my very first days in Athens, for Loring Hall had not yet reopened after the summer break and I had to stay at the fabled Pension [hotel] Suisse on Neophytou Vamva, just off the Plateia. Here I met Wade-Gery and Paul Alexander and the formidable private secretary of Queen Frederica, a permanent resident, who owned the large Liddell-Scott [Ancient Greek Dictionary] and lectured me on the absurdity of the Erasmian pronunciation of ancient Greek. Like many others over the years I enjoyed the wonderful hospitality of the proprietor Loukianos ("Kyrios Lucien") Polykandriotis from Trebizond and his wife Olympia (the best cook in Athens at the time, in my view). I later became their friend and Lucien came to our wedding in Athens in 1963. But that is a whole other story and the history of the Pension Suisse needs to be
written in full.

Could you tell me a little more about this Pension, since I have not heard of it? The Pension Suisse had roughly ten rooms, an elegant 19th century sitting room, a large dining room. They served an enormous three course lunch, with lots of wine, every day and a simple dinner every evening except Sundays. I remember glorious siestas there in the heat of an Athenian summer in those lovely old rooms with very high ceilings and the curtains wafting in whatever little bit of breeze came up. I used to stay there a lot in later years. Lucien was a wonderful raconteur, read Anna Comnena almost daily, and had a small but potent collection of Byzantine silver coins, which had been in his family and which he managed to salvage from the wreckage that drove him out of Trebizond to Athens. My last memories of it, after it moved from Kolonaki to Alkmanos Street near the Canadian Archaeological School, were in March 1969 when my family and I arrived there after driving through a very cold, wet, rainy Italy, with a very sick one-year old son (allergic to wheat, eggs, milk, and meat--great fun feeding him in restaurants), my three-year-old daughter, and Connie. We took the ferry from Brindisi to Patras and had planned to drive that evening to Athens where we had booked rooms at the Pension. By the time we reached Patras, however, Connie was so sick, having picked up all the germs and earaches that my daughter and I had finally shed, that she literally could not walk. I had to carry her from the car to a motel room outside Patras. The next day she was even worse and when we finally made it to the Pension, I had to carry her up two flights of stairs. To say the least, my family was in tatters. It was getting close to Easter when Olympia always used to get pretty nervous thinking about all the cooking she had to do, Christ on the Cross, rising from the dead, etc. But she and her family just took us all to their bosoms. They had a doctor there for Connie within 15 mins., Olympia and the maids just embraced my two children and actually baby-sat my whole family for more than a week while I went out during the day foraging for an apartment for my sabbatical. Salt of the earth human beings.

In "My Family and Other Animals" Gerald Durrell talks about the place where the Durrell family used to stay on Corfu also called the "Pension Suisse" and Connie and I actually stayed there over the Christmas break when we were digging year-round in the Demeter Sanctuary at Corinth in 1964/5. The only thing it had in common with its Kolonaki counterpart was the name.

Once the school year started, did you live in Loring Hall and where? Yes, after it reopened following the summer break, I lived in Loring Hall in the West Wing main floor about midway down the hall between the door and the bathrooms. My maid was "Old Maria," a bustling cleaner-upper, who made the bed every morning, changed the sheets once a week, took my laundry away on Tuesday and and brought it back on Friday, and "straightened up" all the keys, belongings, books, etc. on the dressing table, and made sure my shoes were in order under the bed. She had a terrible time with my neighbor, David Mitten from Harvard who was an assiduous sherder. In those days one was actually encouraged to pick up sherds and bring them back to place in the School's sherd collection, which was kept in the basement of the Main Building. David returned from all the Fall Trips, the Friday Trips, and any other personal outings with large numbers of unwashed and often muddy sherds that he used to dump on the top of his dressing table much to Maria's despair.

Before dealing with Loring Hall in more detail, however, I have to tell the story of my first full day in Greece in September 1959. My teacher, Kendrick Pritchett was at the School at that time and he invited me to join him on an excursion to Marathon on which he was then preparing a monograph. Evelyn Smithson, a professor from Buffalo who came to Athens every summer to work on the publication of the Geometric pottery from the Agora Excavations, joined us. Pritchett had rented a car and I got my first glimpse of the Attic countryside as we drove out. At Marathon, we climbed Mount Agrieliki, picked up some Geometric sherds, and saw Byron's famous view, "The mountains look down on Marathon..." We went to Vrana where the present museum was built much later and where Soteriades had dug a lot of Classical graves, then we walked quite a bit across what was then a totally empty plain to the Soros--no weekend villas, no posh hotels, no fences, no orchards, nothing but fields of wheat stubble and vegetables and few olive trees and sheep. I remember Pritchett stopping, as his pipe went out yet again, and saying, "Mr. Stroud [we were still on formal pupil/teacher terms at that point] we are walking across sacred ground!" We walked some more after visiting the Soros and found at the shore the only "structure" in sight. It was actually a tiny hut or lean-to that an old geezer had built. Inside he had a little gas stove on which he was grilling a great fish (a synagrida) that he had caught in the Bay of Marathon that morning. It smelled delicious. It was only than that we happily noticed the letters scrawled in chalk on one side of this little hut, "EXOKIKON KENTRON" which meant that we had reached a commercial establishment and we could pay for our seafood lunch. He also had FIX beer in the old blue label bottles that was icy cold. I couldn't believe it. This glorious lunch next to the sea, sitting on the grass, with the ghosts of the Marathonomachoi [warriors of the Battle of Marathon] only a few meters away. I returned that evening to the Pension Suisse where I was staying and excitedly told Kyrios Lucien about my day. What a fantastic first day in Hellas!

This was followed two days later, however, by an interlude that was not quite so pleasant. Pritchett, bless his heart, had wanted to help his student in any way he could, so he invited me to come to the garden of the French School at 6.00 p.m. where he had been invited for a cocktail by the Director Georges Daux and Mrs. Daux. The latter was one of the most elegant ladies in Athens and Daux himself was a scholar of great repute but also a formidable presence. I didn't even own a suit, let alone a summer suit. So clad in a heavy cream colored sports jacket that desperately need dry cleaning and gray flannels that were coming apart at the cuffs, I tentatively rang the bell at the front gate of the French School on Didotou Street. The thyroros led me to a flowery sector of the garden where seated in all their splendor were the Daux and Pritchett with one empty chair beside them. Daux in a spotless white suit rose to greet me and I was introduced to Mrs. Daux who looked like something out of Vogue magazine. To make it even worse, my Professor, as I knew before, was a connoisseur of fine wines, champagnes, madeiras, and all the rest. So I was offered a huge array of potent drinks, many of which I had never even heard of before. I was scared stiff, but the Daux quickly realized it and they loved Pritchett, so that they made every effort to put me at ease. Not a chance.

Luckily I was savvy enough not to gulp down what was in my glass but to take only a few sips and to hold onto it half empty until it was time to leave. Later in life, I became good friends with Daux and during a long rainy afternoon together in Berkeley many years thereafter we joked about our first encounter, but it was far from amusing for me at least at the time.

Stay tuned for Part 1.2 and Part 2.

Sunday, December 6, 2009

The Graves of Archaeologists


I was just looking over Troels Myrup's blog Iconoclasm and noticed a post he did a few months back entitled 'Staying Behind.' It featured the gravestone of G.L. Harding and reflected on the fact that many foreign archaeologists end up being buried in the land where they dug, rather than the one in which they were born.

While I was on the Regular Program, I tried to document all the graves of archaeologists that we came across. Some are buried on the very site they excavated:


Ekrem Akurgal, one of the most important experts on Turkish archaeology, is buried at the site of Old Smyrna (in the modern city of Izmir). Check him out in this video.



Humfrey Payne is buried just down the hill from Mycenae. He was the director of the British School from 1929 until 1936 when he died of blood poisoning. His wife was Dilys Powell, a journalist who also wrote the pithy Villa Ariadne, a lively view of the archaeologists who worked at Knossos. Humfrey Payne also excavated the Sanctuary of Hera at Perachora where I gave a site report.

The gravestones of many archaeologists reference the ancient world or the work they did in life:

Carl and Elizabeth Blegen, whom I have discussed numerous times on this site, are buried beneath a headstone that mimics the grave stelae from Mycenae.



The grave of Heinrich Schliemann, the excavator of Troy and Mycenae is of course the most recognizable example of this. His tomb, in the shape of a temple, is decorated with scenes from the mythic Greek past and also with scenes of excavation. Ancient and modern heroics.

An extraordinary number of famous names are buried together in the First Cemetery in Athens. Because the cemetery is Orthodox, the burials of the non-Orthodox (foreigners) are separated off by a fence. Walking through that collection of graves is an exceedingly strange experience. Headstone after headstone bears a familiar name. Famous archaeologists from the earlier days of the discipline lie beside others who have made a more recent impact.

William Bell Dinsmoor, for example, is famous for his architectural studies. His son (also named William Dinsmoor) followed in his footsteps, and I always have to do a double take when I see their names, just to make sure I'm looking at Sr. or Jr. Whenever I hear them mentioned, I will always think of Margie Miles saying 'Dinsmoor' while pointing up to some architectural oddity.

Adolf Furtwangler is a total legend. His impact on the study of the ancient world was enormous. John Boardman remarked that he was "probably the greatest classical archaeologist of all time."

Eugene Vanderpoole was the Mellon Professor (the Professor of Archaeology) at the School exactly 50 years ago. It was he who dragged Pierre McKay all over Greece. As Kostis Kourelis has pointed out, his house was considered something of an architectural superstar in Athens. I most frequently heard about Vanderpool in reference to life at the School during WWII. He was placed in a concentration camp and survived, but his health was never the same after. Whereas Furtwangler was a legend for his scholarship, in the many tales that I heard, Vanderpool was an altogether different sort, a giant, much beloved, a war hero. His presence and heroism still hang over the School, especially in the tender words of those who remember him.


And then there is Bert Hodge Hill and his wife Ida Thallon Hill. Ida has always been of great interest to me because of her pioneering role as one of the first women to ever excavate on the Greek mainland. The physical presence (books, furniture, etc.) that the Hills and Blegens left at the American School is of endless fascination to me. But most importantly of all, the Hills paid for me to attend the Regular Year Program by generously endowing a fellowship. Thank you, Bert Hodge Hill!


While at the American School, the monumental personages buried there at the First Cemetery became much more than names to me. They suddenly became the teachers and mentors of friends and of my own teachers and mentors. They became the topics of stories, reminiscences and School myth. They stopped being just recognizable names on book covers and beneath article titles. They're no longer just bibliography.

The First Cemetery is extraordinary for the simple fact that it preserves and also recreates a community. Granted, most of the people in that fenced-off section were of the same social class, almost all were foreigners, and all were non-Orthodox (mostly Protestant and Catholic) - they were already bound to run in the same circles. But a large percentage were part of an intellectual family tree, a community with connections across nationalities and zig-zagging relationships down through decade after decade. They're all there together under the shady pine trees. Young archaeologists can visit the First Cemetery and literally see their social and academic ancestry there before them. Name after name is instantly recognizable and meaningful. It occurs to me that nowhere else in the world will I ever know so many names of the dead in one place, in one cemetery. Nowhere else will I have so many connections to so many headstones.

What an odd and uncanny thing!

Friday, May 22, 2009

Interview with Pierre MacKay: Part 2

Last week I posted Part 1 of an interview with Pierre MacKay, Regular Member in 1959-60. Here's Part 2 (of 4):

The Regular Year is usually divided into the Fall, Winter and Spring quarters. What did you do after the Winter quarter, when Members tend to have more free time? Everybody was expected to either do an excavation or an independent project, which would be written up before you left the school in June or July. And I don’t know who did what – most of the people I knew went to Corinth and I chose a journey into western Macedonia to look for traces of medieval military life. Absolute idiot idea, but at least novel. I have to admit that it was partially because I was still absolutely overwhelmed by the reputation of Kevin Andrews and I was doing the nearest thing to what Kevin had done that you could. That meant going to the other end of Greece where the Civil War was most recent and where nobody [archaeologists] had been. Western Macedonia was not one of your popular places. Well, it was also under military control so I had to wait around for military permission and I had almost got to the point by late April-early May when I was thinking, ‘I don’t know what I am going to do but I’m not going to do that,’ when army orders came through saying that I, so-and-so by name, would report to unit so-and-so of the Greek army on such-and-such a day at Florina. It was a matter of stuffing my things into a knapsack – it turned out to be 65 pounds of knapsack - putting on my combat boots and heading for Florina. I appeared there and the commandant of the post looked at the orders and looked at me and he looked at his subordinates and said, “what am I to make of this?” So it was arranged according to the orders that had been cut; they said very firmly that wherever I was, I would have to find the nearest large village and report to the proedros [boss man]. I had a stack of police records THAT high by the time I was finished. And I would go in and the proedros would find me a place to stay or put me up in his house. On one occasion I stayed in the jail because it was absolutely empty and it was the only clean bed in the village.



That most have been very difficult because you did it alone. Completely alone. I really spoke very good Greek by the end of that. When you’ve been thrown on your own resources as thoroughly as that…it’s one of the loneliest experiences, to fall back on a five-year olds vocabulary and to be able to speak nothing else. After three weeks I got back to Florina and I just stored most of my stuff in the 5th class hotel I was staying in and took the bus back. By the time I got to Larissa [train station in Thessaly], I couldn’t speak a word of Greek – Greek had just faded from my mind. The bus was of course delayed, the buses were always delayed. I got back late, late, late to Athens and I came up here to the School feeling JUST absolutely desperate and got into the area surrounded by the Loring Annex, sat on the steps by the porch, and a late night wanderer came in intending to go to bed. I grabbed him like the Ancient Mariner and talked English to him for about an hour and a half. I’ve often wondered who that was.

You didn’t know him? I don’t know who it was. Then I finally let him go to bed and all my Greek had come back. That’s all it took! So I went down and stayed in a pandoxeion [hostel] in Plaka, 8 beds in a huge room, and was able to start out again fairly soon. The second tour, the five or six weeks following that first run, that was wonderful stuff, just wonderful.

Afterwards did you write it up? I wrote a paper. I’m not hugely proud of it now. It’s up there [in the library] on file. What kind of Medieval stuff did you find? Practically nothing Medieval. I did find the largest, ugliest official Roman border inscription in the whole of western Macedonia, which now has pride of place in the Florina museum. Wow. So you found the inscription, went back to the museum to tell them, and they went to get it? That’s about it. And if you did that sort of thing nowadays, you’d be jailed for it. I committed illegal excavations. Oh, so it wasn’t just laying around on the surface? It was serving as the doorstep of the right-hand chapel of an utterly ruined church, halfway up a hill in western Macedonia. So I levered it out again and after I’d read enough of it, I thought, “hey, this is very interesting!” So very dutifully I made a squeeze of it, but it was cold and breezy up there and the squeeze wouldn’t dry, so I pulled the stone a little further away and made a fire and dried the squeeze in front of the fire. And then I went down the hill to the cafeneion [men’s coffee shop] and said I found something up there at that ruined Chapel So-and-so, which I think might be of interest. And so next day we went up and collected it. I was glad to see, many years later, that there it stands in the Florina museum. Ugliest letter forms I think I’ve seen in my life.

How did traveling around Macedonia affect your dissertation? It gave me an abiding interest in Macedonia. My dissertation had nothing to do with where I traveled, except that I had some sense of how much opener and wider-spaced Macedonia was. If you think in terms of lower Greece, you really miss it – especially after western Macedonia where there’s not much limestone. It’s just a different landscape.

Once you were done with your dissertation, what did you do after you graduated? Managed to talk the Archaeological Institute of America into giving me an Olivia James traveling fellowship on which I traveled. Oh, no, first I got the American Center [fellowship] in Egypt to do Byzantine roads in Cairo. Again, I, in Egypt – a lunatic! [Byzantine roads in Cairo] -the sort of thing that if you’d lived 50 years in Egypt you could probably hallucinate yourself into thinking you had traces of something to work with. But there I was in Cairo and I learned much better Arabic and did the Arabic sources for one of the American-Egyptian excavation projects.

Did your interest in topography develop before you came overseas because of your advisor Pritchett? I must have had it already or I would not have taken to Pritchett as completely as I did. Maps and topography was just IT. Were you able to traipse around the countryside with him? A couple of occasions I got to traipse around the countryside with him, it was an absolutely exhausting experience. This man at age 60 could go up a hill effortlessly, just moving his legs smoothly, and you’d come up behind him, eyes starting from your head. It was just astonishing! And he really did so much believe in getting on to what looked like the site and looking around and seeing, “can you make any sense of the landscape given the events that are recorded about it?” Did you always carry your Pausanias and Herodotus on these escapades? Gene Vanderpool was the one who’d be certain to do that. We didn’t have reasonable Xerox facilities at the time, so I’m not sure what we carried around.

What was it like coming back to the School as a Whitehead professor? It was very much later and I didn’t expect it to be anything like what I’d known. In fact, I was pleased to see how much it WAS like the School I remembered. There was a long hiatus there when I got more involved with Arabic and Turkish and didn’t really get back to Greece very much, and then it opened up again. That was a real delight. I’d prepared myself for a real change, and of course there was a change, but a lot of the best things were still there.



'Poison ivy,' a #1 single in 1959.

What was America like when you left and when you came back, what major events were occuring? It was coming out of the ‘50s, which were not nearly as torpid as they’re sometimes described. In fact, Theo and I looked at an evaluation of the 50s about 15 years ago and we looked at each other at the end and said, “Well, I guess the 50s really were like that, but we just weren’t living in it. ‘59-‘60? So of course the Kennedy campaign was going on while I was slogging around the fields of Macedonia; it was a very nebulous experience for me. We’re lucky that we have TV so that we could keep up with the news back home. Did you have to rely only on the papers? Yes, through the papers, or the BBC if we really cared that much. I think there was an American armed forces station around there too, though I can’t remember every clinging to it.

This year we had the Obama Campaign, election and the economic crisis – dealing with events at home while overseas is part and parcel of being at the School. Were you here in the 60s when all the crazy events were going on back in the States? No, I left in 1961 and it was a long time before I came back again, except to Macedonia. I was invited to give some papers at the Society of Macedonian Studies in Thessalonika. That’s when I got to do a walking tour from Thessalonika to the Turkish border. That was wonderful. This latest trip when we went to the same area [in November], I kept thinking, ‘How on earth did I do that?” I would take local buses to a certain area, walk out, study it, come back, and wait for the local bus back in.

Can you tell me more about Vanderpool as THE professor at sites? What he would give was not quite a lecture but marvelously entertaining. He used to say regularly that your purpose here is to study Greece – ALL of it. And so those few of us who did move out of the classical world got a deal of help from him. Vanderpool was beyond description. Very thin, gaunt, energetic…a splendid man.

Was there much interaction between the ASCSA and the other foreign Schools? Colin Edmonson and a friend in the French school tried to form a society of secretaries of the foreign schools and a sledgehammer landed on their heads – it was an organization of foreigners, unpermitted by Greek law. So in fact there was very little opportunity, even with the British School [across the street]. I think there’s more exchange with the British School now then there was then.

Were there public lectures at the School as there are now? Oh, not nearly as many. It was so inconvenient setting them up because [Loring Hall] was the only place they could be held. It meant a great deal of carting chairs around and completely messing up the dining hall, which then had to be straightened up afterwards. Cotsen Hall has made a profound difference in that.
What about the School traditions that we have now, like tea hour and ouzo hour? Tea and ouzo hour were both there. Dinner was still at 8 o’clock. Was most of the furniture the same? Yes, an awful lot of it was. It may feel that way and it really was. I think that orange thing with all the broken springs goes all the way back to 1959.

Lucy Shoe Merritt said that when she came they had butlers. Any butlers in your time? Oh no, that would have been pre-World War II. Everything went downhill very fast after the second world war. How was the food? It was changeable. Sometimes good, sometimes bad. I think the after lecture cocktail parties were great. There were crisp, spicy meatballs to die for. I used to fill up on them.

Do you have any favorite stories from your time in Athens or out on the road? In Loring Hall, not much. As a student here, one was not around that much of the time. I wasn’t going in the same direction as most of the other people, which did some funny things to the kind of conversations we would have; it was the time that Mabel Lang said no three of us were ever having the same conversation with each other. The Macedonian trip? I have so many extraordinary memories of that. One wonderful period of about three days…there’s the big Lake Prespa that sits over the join of the three borders of Albania, Yugoslavia and Greece – and then below it there’s a little tadpole shaped lake called Little Prespa which is divided from big Lake Prespa by a sand spit.


Lake Prespa, Macedonia.


At the west end of the sand spit, where it leads into a tiny, little, isolated part of Greece, there was a military encampment, a part of the military control zone. And so after I left Aghios Germanos, I went over to the military encampment to decide if I was going to infiltrate that little isolated area – I did not in fact decide to do that because there would have been no place to stay up there . I wasn’t supposed to take a camera in [to the military zone], but everyone had a camera, you just didn’t advertise it all that much. The soldiers all insisted that I take their pictures, which I did. I used to do my wandering around in the day and when I came back to barracks the conscripts would at nightfall turn their radios to an open channel, where all the border detachments all the way across the north border of Greece fed into the same channel. The [detachments] would sing to each other. They were still very much singing their local traditional songs. The Thracian would wail these long lugubrious wails, the one from Epiros would do very martial sounding stuff. It was wonderful. Did you learn any of the songs? No, they were too much based in the local culture that each of them had come from that were usually totally unknown to anyone outside that province of Greece.

And then there was the time I got my feet washed. At the other end of the spit, at the town that was taken over by Pontic Greeks in the population exchange, there was a magnificent family of successful Pontic Greeks and [head of the family] was proedros, of course. He decided to take me in and we sat out in the plateia for a while – I had the fascination of watching a mosquito go across his forehead, back and forth, back and forth, trying to find a place where the skin wasn’t too tough to get in, and just giving up at the end! We had a discussion about where I lived and I said I couldn’t describe the house because my parents had moved. “Oh,” he said, “they’ve gone to a bigger house.” “Well. actually no,” I said, “they’ve gone to a smaller house because that’s what they wanted.” His face went blank and then lit up, “Oh, closer to the plateia, eh?”… “Yes, yes, that’s it.” And then we went back to his house and the next thing I knew I was being ushered into the back room where his 18-20 year-old daughter was to wash my feet, the feet of the weary traveler. That was quite an experience, because I tend to be kind of tickle-ish and the one thing I was NOT going to do was laugh at this girl who was performing a centuries old ritual. So we got through that and I got through the suspicion with which I was regarded by the young men who felt they were eligible and didn’t want this prize taken away from them. When I left, I left on the bus with one of them and he explained to me that he was in pursuit of the very lady, but he didn’t think he had much of a chance because “O pateros tis einei malista pasas” – “her father is a real pasha.”

Saturday, February 7, 2009

Dudes: Stay Out! Loring Hall and the Hostel-For-Women in Lucy Shoe Merrit's Letters

On Thursday I spent another hour or so in the School’s archive, finally returning to my research-for-fun project on the School’s history. I haven’t been able to address the topic much (which, actually, was one of the main reasons for this blog’s existence), simply because we have been so busy here on the Regular Year Program. Now that things have calmed down a bit, I have been getting some good work done on my Etruscan sacrifice projects; when I’m in the research-zone, it’s pretty hard for me to break away and explore other subjects, like ASCSA history. So I’m not the best at multi-tasking. I admit it. But I’ve been slightly obsessed with the issue of Prince George’s Palace, where the School’s women lived in the 1920s before Loring Hall opened. While I was researching that, I got a little side-tracked by some letters written by Lucy Shoe Merritt, so I’ll deal with Prince George later.

Lucy Taxis Shoe came to the School in 1929. She was born in 1906 to Mary Dunning Shoe and W. Bonaparte Shoe, an engineer.
Lucy Taxis Shoe and her Aunt Lina on the porch. (Photo from the Dunning Family Photograph archive.)
Lucy Taxis Shoe at age 16, school pic from the Philadelphia High School for Girls. (Photo from the Dunning Family Photograph archive.)

Lucy eventually got together with Benjamin Merritt, a specialist in 5th c. BCE epigraphy; he'd been a professor at Michigan (1928–1932), then Princeton (1935-1969) and then UTexas, Austin. One of his better known works was The Athenian Tribute Lists. Benjamin and Lucy were married at Princeton in 1964.
Lucy marries Benjamin Merritt, 1964. (Photo from the Dunning Family Photograph archive.)

Lucy was an incredibly active member of the American School community. She was a big fan of mouldings, and her first publication, Profiles of Greek Mouldings, came out in 1936. She also worked on Italian examples; we can surely call her one of the early American Etruscologists because of her 1965 Etruscan and Roman Republican Mouldings (and the 2000 version with Ingrid Edlund-Berry). Following in the footsteps of L.E. Lord, she wrote a history of the ASCSA, covering the period from 1939-1980. But she first came to Athens and the American School in 1929, just a few months before the Great Depression.

So we have some things in common, Lucy Shoe and I. She was a student at the School; so am I. She was at the School when the Market crashed back home; I am here during the Lesser Depression: Part 2. She liked School history; so do I. She liked Etruscan things; me, too! And of course, when she was here, she lived on the second floor of Loring Hall’s main building, from the day it opened to 1933, and at various times thereafter.

As I’ve mentioned, Loring Hall was initially supposed to be the Women’s Hostel. So when it was constructed, part of the agreement was that the upper floor of the main building was reserved for women, ONLY. Up there it’s got about 7 bedrooms and a small apartment that nowadays is referred to as the Queen’s Megaron (called after the mis-named room at Knossos; Lucy lived here in 1932). When Loring opened, those rules were far stricter than they are now.

As an example, in 1981 Lucy sent a letter and some notes to Joan Connelly, now housed in the Loring Hall box in the School Archives (Box 329/1, Folder 3). Her letter makes clear how different things were then. She mentions specifically about the time she had malaria (!), and she was bed-ridden upstairs. (That’s a nice thought, I wonder if she was in my room.) Her friend Homer Thompson, obviously very concerned about her malaria, came to her bedside to visit her. Apparently this created a gi-normous crisis. At that time, the woman living in the upstairs apartment was a member of the Managing Committee, and she’d been especially active in trying to bring about the Women’s Hostel (which had been scrapped in the late 20s when a bunch of money came in for the construction of Loring Hall). This woman was extremely upset, since she thought that the ‘Women’s Megaron’ (as they dubbed it then), should be ‘sacred’ in honor of the lost and mourned Women’s Hostel that never was to be. The agreement the School had made was that the upper floor of Loring was to be the mini-Women’s hostel, with no man allowed, EVER. Apparently Homer Thompson’s sin caused a clamp down, and no man ever braved those stairs again except for the doctor (Dr. Lorendo) in case of illness.

A lot of interesting things to be said about what was going on at the School, politics-wise, at the time. I’d love to do some serious work on it, but I guess that will have to wait until I actually have a job. I just hope that when I get malaria, my friends will come and visit me.

Incidentally, Lucy also described the housing arrangements usually made in Loring: women lived on the second floor of the main building, men lived on the second floor of the Annex, older men or women, or married couples lived on the lower floor of the Annex, and the visiting professor got the whole West House. This is pretty much how it still works today.
Loring Hall, a la Google Earth. From left to right: the West House and the Annex, then Loring's main building with the two porches on either side.

Over dinner last quarter, Pierre MacKay told me that when he came to his Regular Year in 1959 (more on this year to come), it was pounded into his head to never EVER go up the main staircase: that was the women’s area, and there were dire consequences for those who broke the rule. At some point in time, however, the Queen’s Megaron opened up for visiting male professors as well. Pierre, it turns out, was one of those. He told me that, even when he lived on the second floor in that apartment, he felt VERY awkward and uncomfortable climbing those stairs, having been warned against it for so many years before.
Pierre MacKay discusses Greek history with Regular Member Mark Hammond.